3MA

3MA

2024

2024

2025

2025

2025

2025

2025

2025

2025

2025

2025

2025

2025

2024

Client

Personal

Services

Creative Direction

Motion Capture

Motion Design

Year

2024

Credits

Falmouth university

Ben Penrose

An investigation into the beauty of motion behind MMA. The project began with photography to capture movement and reveal hidden paths and patterns. This led to using Motion Capture to further study this hidden movement, allowing me to build a prototype within Unreal. Since then, I've been able to further investigate the movement, seeing beyond the commotion and find the beauty within the fluid choreography of the sport. Started at university, this project is something I’m still developing and expanding.

The project started with photography at a local MMA gym, aiming to capture fleeting moments within much larger, fluid movements. While the stills revealed tension and precision, they couldn’t quite articulate the full arc of motion — the choreography hidden within the chaos. That need to explore the shape of movement more deeply led me to motion capture. Through MoCap, I was able to isolate and trace the path of each strike, pivot, and shift in weight — every limb becoming a kind of sculptural brushstroke in space. The violence of the sport gave way to a quiet elegance; elbows and knees no longer just weapons, but instruments composing lines, loops, and rhythm in the air.

The project started with photography at a local MMA gym, aiming to capture fleeting moments within much larger, fluid movements. While the stills revealed tension and precision, they couldn’t quite articulate the full arc of motion — the choreography hidden within the chaos. That need to explore the shape of movement more deeply led me to motion capture. Through MoCap, I was able to isolate and trace the path of each strike, pivot, and shift in weight — every limb becoming a kind of sculptural brushstroke in space. The violence of the sport gave way to a quiet elegance; elbows and knees no longer just weapons, but instruments composing lines, loops, and rhythm in the air.

The project started with photography at a local MMA gym, aiming to capture fleeting moments within much larger, fluid movements. While the stills revealed tension and precision, they couldn’t quite articulate the full arc of motion — the choreography hidden within the chaos. That need to explore the shape of movement more deeply led me to motion capture. Through MoCap, I was able to isolate and trace the path of each strike, pivot, and shift in weight — every limb becoming a kind of sculptural brushstroke in space. The violence of the sport gave way to a quiet elegance; elbows and knees no longer just weapons, but instruments composing lines, loops, and rhythm in the air.